I can only imagine
how carefully you applied make-up on your bruise. How long it took you to work
around the edges of your battered eye. I can only imagine it. For I never saw you
doing it. By the time I had come back from school, got changed into plain clothes
and sprinted up to the third floor of my bloc of flats, you had mutated. The
damage had been done and you had “moved on”. By the time the dominoes table had
been set and you, your mother-in-law, one of your brothers-in-law and his wife
had perched up together, you had put on the other face. “Nothing to see here. Shit happens. I caused the shit to happen. It was
my fault. I’m the shit that makes the shit happen”. He was not there. He had
already left for his beat, starched copper’s uniform, duty weapon in holster,
probably whistling on his way down the stairs, José José or Emanuel (he was a romantic, after all); feeling
like a man.
You, left behind.
You, x-months pregnant. You, sitting around the dominoes table, smiling, laughing
even, the corners of your mouth rising like the temperature outside in the
sultry Havana heat. The others, reassuringly seeing calm after the storm.
I saw rictus.
Even at that young
age, I could tell the truth behind the acting. It was a slow process, though.
You set the stage for your one-act, one-actress play, but I never believed your
silence-enforcing monologue. It was a performance-within-a-performance. I knew
you had no choice but join this bruise-concealing farce, this
confidence-destroying mise en scène. You
were on your own, family-less, home-less, friend-less, a Cuban Easterner, palestina,
looked down upon by habaneros. Habaneros like me.
We were the spectators.
On the third floor, we were the audience during all the years you stayed in
that house. That third floor was the observatory. To the outside world, never
to the inside. The inside world was off-limits. It was known what was going on
but… well, “shit happens.” That third
floor was the balcony, the perfect site for the telescope that was missing but
not needed. Around us the houses and apartments whose white-sheet-decked derelict
rooftops cried out surrender. Surrender to the inevitability and the
inevitable. Did anyone else see him raising
his hand? Did anyone guess what was going to happen straight after? Did anyone
notice the ever-growing bump, imperceptible still but noticeable once they came
close to you? Did anyone care?
Every time you
threatened to leave, every time, he
laughed. I know, not because I saw him
but because I heard him. The sarcasm-filled
adverb. Destination? I did not need to see your face to know that in your head
you saw a future of endless make-up-applying hours. The barrel of his duty weapon rammed down your throat
as your pregnancy bulge kept him at
arm’s length was evidence. The twelve-year-old secondary school girl he chased, groomed and started a
relationship with was evidence. His own
mother’s bruised arms the only time she very mildly dared to defend you were
the evidence.
You did not seek
help. In fact, you stood up for him. Some people said you had it coming. After all,
you came from Oriente. What were you
doing here? They asked. Correction: we asked. Also, why did you not leave him? Some
others pointed at his outstanding attitude
and behaviour in the community. Of course, sometimes he went a bit over the top.
I never asked you. I
do not know if I would, were I to run into you now. After all, even you were
aware that no matter how carefully you applied your make-up, we could still see
your battered eye.
© 2016
Next Post: “Saturday
Evenings: Stay In, Sit Up and Switch On”, to be published on Saturday 30th
January at 6pm (GMT)
"The ache for home lives in all of us. The safe place where we can go as we are and not be questioned." (Maya Angelou)
Showing posts with label Dramatis personae of a previous life in Havana. Show all posts
Showing posts with label Dramatis personae of a previous life in Havana. Show all posts
Wednesday, 27 January 2016
Wednesday, 16 September 2015
Dramatis personae of a previous life in Havana
The blue of the sea in the distance, seen from the vantage point my
classroom afforded me on the second floor of our old, derelict building,
contrasted sharply with the inimitable act of him rolling his sleeves. The
former pointed at freedom and possibilities. The latter, as I found out later,
was the preamble to a performance of ill-disguised cruelty, a pantomime of
power, a display of male bravado.
We noticed that the rolled-up sleeves and his beard were a way to divert
attention from his ever-expanding pot-belly. This might have been Havana in
1990 and the economic crisis with the resulting food shortages might have been
hovering over the Cuban capital like barbarians at the gates but his waistline took
no notice of the fast-becoming desperate situation.
Perhaps his performance was a sort of masquerade with which to hide his
tired-looking face and the sweat patches on his striped shirt. Perhaps all this
was coupled with the fact that the subject he taught was a tough one to deliver.
How could it be otherwise, though? Political economics of capitalism and
socialism. A term for each system. Roughly five months each, plus an exam at
the end of each semester to make you decide whether you wanted to join “the
rafters” or stick it out on the island with the dying economy, the ubiquitous
corruption and the loss of hope. He couldn’t, however, bring himself to doubt.
Doubt in his case was the single bullet in the gun in a game of Russian
roulette. You never knew if the next attempt would be the last one. A doubt
begat questions and questions meant uncertainties. In front of him a classroom
of late-teenagers in their second year in uni. To cap it all, they were
linguistics students, doing the course that could open up the doors to information,
access to alternative sources of knowledge: English. Still the language of the
enemy. No, uncertainties would have meant conflict. He hated conflict. Or
rather, he hated conflict when he could not win it. No, there would be no
uncertainties. Even if that meant war.
The war was declared during that first lecture in September; the moment
he rolled his sleeves up.
The beard, the demeanour, the glasses, the sun-kissed neck, the air of
someone who understood you, you, late-blooming adolescent who was finally
getting to grips with the world even if someone was pulling the carpet from
under your feet because they would be flogging it off to the highest bidder
next. I remember it all. Even if after the carpet-pulling, you fell over, you
got back up, dusted yourself off and indulged in yet another bout of
world-understanding. You knew that after he nodded and nodded and continued to
nod as you asked your questions and displayed your uncertainties, as you gathered
your books and walked towards the door, you knew that he would go straight to
the dean’s office, knocked on his door and reported you. For what? For
thinking. You knew that capitalism came in the first term and socialism in the
second, but the order did not matter. You were supposed to hardly notice the
former whilst praising the latter. Even after the first images from the fall of
the Berlin wall found their way clandestinely to Cuba. Oh, yes, they did show
the other – sanitised – images after. The ones accompanied by commentary that
was so partial you had not realised they hated (East) Germans so much. And
then, it was the turn of the Soviets. Meanwhile all the hitherto unexpected
changes were explained in our lectures in an articulate and cogent way.
But it was for the final exams at the end of each that SL (I’ve chosen
to use his real initials) reserved his better thespian skills. The two-teacher
examination board, the two classrooms, one for waiting and the other one for
the actual test, the silence, softly interrupted by nervous whispers and the
heavy steps (because he always made sure they were heavy) approaching, the slow
entrance and the shirt sleeves being rolled up, like a butcher, first one and
then the other, the whole time his eyes fixed on his hairy, beefy forearms,
until he raised them and with one look he seemed to catch us all at once, his
voice booming, just the one word, but delivered in the same way as the sword brought
down by the executioner on the head of his terrified victim in years gone by:
Next!
© 2015
Next Post: “Saturday Evenings: Stay In, Sit Up and Switch On”, to be published
on Saturday 19th September at 6pm (GMT)
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