"The ache for home lives in all of us. The safe place where we can go as we are and not be questioned." (Maya Angelou)
Thursday 20 May 2010
Vacas (Cows) by Julio Medem (Review)
Long before he became obsessed with penises and the sizes of them in 'Lucía y el Sexo' (Sex and Lucia), Basque director Julio Medem made three ground-breaking movies: 'Vacas' ('Cows'), 'La Ardilla Roja' ('The Red Squirrel') and 'Tierra' ('Earth'). Of this triumvirate 'Vacas' (Medem's opera prima) is probably the more meticulous one, traipsing as it does through the history and culture of the Basque Country.
The movie centres on the idea of how an act of cowardice can affect three generations of two families and fuel a rivalry that at times becomes bloody. Against the backdrop of the 1870s civil war that engulfed this part of Spain, Sergeant Carmelo Mendiluce tries to help fellow villager and army novice Manuel Irigibel when the latter joins the rebel forces. Manuel is filled with terror of the conflict and the fighting and it is this fear that causes Carmelo's death. To pretend that he, too, has been killed, Manuel covers himself with Carmelo's blood and returns to the village, kicking off a feud between the Irigibel and Mendiluce families. The situation is further complicated when many years after, a Romeo-and-Juliet scenario develops between two members of the warring clans.
'Vacas' is a powerful and in-depth study of Basque traditions. Decades after Manuel's coward act we see both families challenging each other over one of the region's rural sports: Aizkora proba (wood chopping). This is a competition where a wood cutter has to chop his way through a number of logs as quickly as possible whilst standing on the trunk. The eponymous bovines represent the agrarian nature of this fiercely patriotic corner of Spain. Medem uses also the cows as time machines to transport the viewer through the different generations (there are some beautiful moments where the camera remains fixed on a cow's gaze and slowly and, barely noticeable to the viewer, it takes him/her through the cow's eye, bringing them out to a different scene).
Special mention should be made of both sound and photography. The former is heightened by the director's decision to allow nature's very own voice to provide the movie's soundtrack. Thus, we are constantly exposed to the soft, crunching melody of dry leaves, the shrill of the scythe tied to a scarecrow as it swings around (it's meant to keep wild boar away) and the roar of the feral wind. The photography captures magnificently both the vastness of the Basque landscape with its lush valleys and hills and the claustrophobia of the undergrowth (plenty of close-ups and hand-held camera work).
The performances are very good. This was the movie that turned Emma Suárez into Julio Medem's muse (she also acted in 'La Ardilla Roja' and 'Tierra'), placing her into a similar relationship to that between the also Spanish actress Carmen Maura and the award-winning director Pedro Almodóvar.
'Vacas' is above all a surreal tale about two families that are reluctant to lay the ghost of their troublesome past and the heavy price they pay for it. As debut features go, it is a fine one, indeed. It makes me even forgive Medem for his later obsession with male genitalia.
© 2010
Next Post: 'Sunday Mornings: Coffee, Reflections and Music', to be published on Sunday 23rd May at 10am (GMT)
Labels:
A Cuban In London,
Cubans in London,
Julio Medem,
movies,
review,
Vacas
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Ooh, yes please, Cuban. Trailer was fantastic (in all senses).
ReplyDeleteThank you for the recommendation.
The trailer alone -- what a brilliantly drawn portrait of a people and a conflict. I don’t think I’ll forget soon the axe hitting the trunk near exposed, wiggling toes. Substitute heads for wiggling toes -- did I get the picture?
ReplyDeleteI have seen Lucía y el Sexo and I will make sure to see Vaca now. Thank you for bringing it to our attention. Saludos hermano.
ReplyDeleteCuban, a gripping trailer to accompany a most gripping film review. I like your take on the metaphors that are used in the movie. I look forward to seeing the full-length movie. Something new to add to my Netflix list... Really looking forward to it! Thank you, Cuban.
ReplyDeleteNevine
Thanks for the heads-up on this film. I confess to liking the penis movie, though. I'm adding it to my Netflix list, hoping that it's subtitled in English!
ReplyDeleteMedem was definitely more interesting in his earlier days. I love VACAS and La Ardilla Roja, but I thought Lucía y el Sexo was a bit predictable and gratuitous with all the sex scenes and obsession (I sound slightly prudish, I know!).
ReplyDeleteHis latest film, Room in Rome, I haven´t seen but I hear it is disappointing.
Gorgeous and frightening trailer...thank you.
ReplyDeleteI'm finally joining Netflix, I promise myself.
Thank you all for your kind comments.
ReplyDeleteYou're right, Susana, 'Lucia... was predictable and by the time that scene on the beach came about, I'd already had enough of talk about peckers, big or small, never mind). It's funny that I received 'Los amantes del Círculo Polar' in the post yesterday. Another film by Medem to watch and review. I've seen 'Vacas' twice or three times. I lost count of how many times I saw 'La Ardilla Roja', especially because of the 'is or is she not suffering from amnesia'? 'Tierra', I've seen only once, at the Latin American Film Festival in Havana and I was mesmerised by it.
Greetings from London.
Excellent, review, Cuban. This sounds like exactly the sort of film that my daughter and I would enjoy watching together, but I have serious doubts I'd be able to find it here (Calgary). Still, one can always try. Thanks for the introduction!
ReplyDeleteWay to catch one's attention with that first line! The trailer looks most suspenseful and scary. It sounds like a good movie-one of those edge of your seats movie. Thanks for explaining the cow's eye thing.
ReplyDeleteI watched the trailer. No one does dark the way the Spanish do.
ReplyDeleteI haven't seen any of his films. This one sounds interesting, I always like films which give a real insight into the culture of a place.
ReplyDeleteMany thanks for your kind comments.
ReplyDeleteMim, you're right, the first three films by Medem, had a spooky motif running through it.
Greetings from London.