Saturday Evenings: Stay In, Sit Up and Switch On

Over Easter I applied for a new British passport. As I left the post office I suddenly realised that it had been almost ten years to the day when I had become a British national. As rites of passage go this passport renovation felt like one of the more important ones of my adult life.

My very own rite of passage

However my path into British citizenship started five years before 2005. In May 2000 I cast my vote in the London mayoral race and a year later I did the same in the country’s general election. I won’t tell you which party made me mark my ballot paper with an X (a cursory glance through my blog will give you the answer) but what I can assure you is that this simple act of electoral democracy had deep, philosophical repercussions on me.

I have written before about my experience as an immigrant in the UK but the recent combination of passport renewal and a looming general election on 7^th May have made me nostalgic somewhat. I have been reflecting on the hard-to-fathom euphoria I saw in April 1997 when I first visited Britain. Strangers talking to each other on the tube, on buses, in parks and other public spaces about Blair's New Labour vs John Major's Tories. A country, which according to my lectures at uni still had the “stiff upper lip” label attached to it, revealed a side of itself so surprising that, when I spoke about this phenomenon with my Cuban friends back in Havana, it left puzzled looks on their faces.

An immigrant’s life is a life of post-it notes. Both for those who stayed behind and for the friendships you form in your host nation. In my case these post-it notes have carried incomplete snippets of information. People here know that my mother and father still live in Cuba. They might know their professions. They might even know that I have a cousin who is more like a sister to me, the sister I never had. But they do not know about my best friend and his late mother, his late mother who was a great woman and who always had a kind word for me, for my children and my wife. My friends here might not know that one of the reasons why I became an English teacher was to avoid the draft at seventeen and thus the real danger of being shipped to Angola where the war was still raging on during my college years and where many of my young peers were getting killed. Likewise, the people I left behind in Havana might not know that I am about to take part in a life-changing event in a few days. They might think that all elections are the same and indeed they are in my country of birth. After all, I always knew who was going to be in power when I lived there. Forever and ever and ever and ever. But, right now, even allowing for apathy and for dodgy politicians and for posturing and mud-throwing and all the other inconveniences, I have hope. That, too, is part of my citizenship rite of passage. It was fifteen years ago in 2000 and it continues today.

There is gain and there is loss in an immigrant’s decision to up sticks and relocate.  I have discussed here before the challenge of moving to a country in which one has no past, only a future but still working on the present. The past, the reference-filled past, is a chimera for the immigrant. It is unattainable even with post-it notes. Yes, I can talk about Fawlty Towers and Only Fools and Horses because I have seen these two sit-coms. But I was not here when they were first broadcast. An immigrant lives a second-hand-experience life whilst forging a first-one.

Immigrants are all different, which is the same as saying there are no bad or good immigrants, just immigrants. When politicians, like Nigel Farage, lay into us, they lay into what they see as a homogeneous, too-hard-to-parse group whose nuances escape the narrow confines of race, origin and language, to mention but three elements that define us. The back-of-the-lorry immigrant has post-it notes that might be almost unintelligible. They would be, wouldn't they, if they escaped war and poverty, if they saw their children perish in the Mediterranean, if they themselves were trafficked or if they were labelled "cockroaches" by some half-brained, faux-columnist in a tabloid newspaper? The visa-carrying immigrant coming out of the airport pushing their trolley with their luggage on, legitimate status validated by a stamp on arrival, might have pockets stuffed with post-in notes neatly typed up. But in both cases the post-it notes, like mine, will be incomplete. Most of us also share another common feature: after a while the word "home" denotes both the country we left behind and the one in which we live now. Try to figure that one out, reader!

I fell in love with a British woman and here I am. On 7^th May I will cast my vote and at some point in the next few days or weeks my new passport will be pushed through the letterbox. Any sense of loss that I have felt so far (and there has been some) has been offset by a life in which I have been able to scribble, sometimes regularly and some other times less so, my own, incomplete, bullet-pointed, post-in notes. It is part of my rite of passage. It is part of being an immigrant.



© 2015

Next Post: “Urban Dictionary”, to be published on Wednesday 6^th May at 11:59pm (GMT)

Road Songs (Vivace)

Women and cars. Cars and women. So much to say, so much to write about. Hey, hey, hey, what's that sound I hear of hurried feet dashing off towards the exit door in uncalculated haste? Don't leave, please, carry on reading. This is not a post to bash women who drive. Au contraire. This week 'Road Songs' wants to celebrate those femmes who get behind the steering wheel and drive cars, lorries, motorcycles and whatever 'cacharro' (junk) they come across. Yes, it can be daunting sometimes for female drivers to take to the road with so many misogynists bent on demonstrating how the supposed 'weaker sex' is not very adept at reading maps and managing complicated and unexpected manoeuvres. However, having been married to an exceptionally good driver for almost eleven years now, I can attest to the futility and nonsense of that argument. Women can drive and my boy, do they drive well!


In music there's a similar situation. In the world of pop, rock, R'n'B and hip hop, what's a woman for, other than showing a bit of leg, baring her midriff and displaying her sexiness and sultriness? How about her voice, I hear you saying? Well, yes, dear, you're right, her voice counts, but first, she'll have to make it to the front cover of Maxim or Loaded clad in a skimpy bikini so that preying male eyes can assess (judging mainly by her physical attributes) whether she's capable of carrying a tune or not.

Below you will find examples of female singers who have risen to the challenge presented by the, chiefly male-dominated, music industry and produced some of the most enduring melodies in the history of this art form.

By the way, this is the first installment in a three-part series focusing on female drivers and musicians. I hope you'll enjoy it.

Lila Downs was born in Mexico and grew up there and in Minneapolis, Minnesota. She began singing "ranchera" music at an early age, and later sang at the "fiestas" of the towns in her region, la Mixteca. She sang with the band "Los Cadetes de Yodoyuxi" and later with "La Trova Serrana", a group of folk musicians from the Zapotec town of Guelatao, Oaxaca. At that time she met her musical collaborator Paul Cohen and began to create her own musical compositions. Outstanding.



Susheela Raman was born in London, later emigrating to Australia with her family. In Australia she studied classical South Indian song and began giving performances. She then began working with Western forms including rock and soul, while continuing to study classical Indian music with Shruti Sadolikar. Amazing.



Azam Ali was born in Iran but spent most of her early years in India before moving to the US in the mid eighties. She is a vocalist of astonishing diversity with a range covering music from the medieval European to the classical Eastern - Persian, Lebanese and Indian. Grand.



Copyright 2008