Wednesday, 6 July 2016

Urban Diary



The shout of the dying rays of the sun echoing in the long tunnel, bouncing off the walls. A deep red flooding the floor of one of the exits for an instant, its intensity lasting long enough to remind me of the verses: “Your hearts know in silence the secrets of the days and the nights/But your ears thirst for the sound of your heart's knowledge.”

Three exits. Three gates to knowledge. Three ways “to touch with your fingers the naked body of your dreams”. One points at the still, life-sized Saurischia that once populated the Earth. The other one leads us down the path of pants and knickers. The third one celebrates the hundredth year of Einstein’s theory of relativity.

Three exits. Three gates to knowledge for which there cannot be scales, since knowledge is a treasure that cannot be weighed, as the poet said (more or less). I walk down the long, straight tunnel, the dying rays of a summer sun that has not been allowed to shine as brightly as it would have probably wished, screaming through two of the three exits. Exits that are gates. Gates that remind me not to seek “the depths of your knowledge with staff or sounding line/For self is a sea boundless and measureless.”

I stop at one of the exits. A flash of pink hits me on the face and with it the last two lines of the poem, its verses enveloping me in the sticky, humid London evening: “The soul walks not upon a line, neither does it grow like a reed/The soul unfolds itself, like a lotus of countless petals.“

© 2016

Photo taken by the blog author

Next Post: “Saturday Evenings: Stay In, Sit Up and Switch On”, to be published on Saturday 9th July at 6pm (GMT)


Saturday, 2 July 2016

Saturday Evenings: Stay In, Sit Up and Switch On

It turns out, Benedetti, that I will not “stay with you”. The reason is simple: I have already reserved a quiet corner of the world for myself. Of course, it was not a bloke you had in mind when you wrote “no reserves del mundo/sólo un rincón tranquilo” but a woman. And the core message of your poem “No Te Salves” (“Do Not Save Yourself” or “Do Not Play Safe”) was not a refusal to choose said corner but an invitation to take a chance. I understand that.

Still, I like my corner, or should I say, corners. I have two favourite ones at home. I bet most of my fellow bloggers and readers have one, too.

We are strange creatures, we humans. That phrase could well become part of my header one day, so many times I have used it. In fact, that phrase could well be my epitaph for, as a human, I, too, am a strange creature. We are almost symmetrically perfect physically speaking and yet, so asymmetrical when it comes to habits. We line up our lives with exciting adventures (well, some of us), occasionally seeking danger intentionally. But, still, we come back to our corner.


My little nook
I was thinking about corners recently because of the stormy weather we had in London a few weeks ago. I got soaked to the skin on one of those days on my way home from work. I still remember the feeling of putting my bike away, getting out of my wet clothes, taking a quick shower and sitting in my little corner to have my tea. This series of manoeuvres made me appreciate even more the privilege of having a space I can call my own. As I ate my meal and sipped my hot coffee after, I thought of an apposite metaphor for this situation. All I could come up with was the image of a person with big, long elastic bands around their waist and chest, pushing on, marching forward, advancing, getting to their destination… and eventually being pulled back to their little corner.

When did I discover the allure of corners? In Year 6 when I began to learn English on my own. It had always been hard to find a comfortable nook in the Lilliputian one-bed flat I shared with five other relatives, including at the time my mum and dad. But that all changed one day when I picked up “Basic English”, a book that belonged to my father. In between my parents’ bed and the wardrobe, a space so narrow that one could not sit with both legs side by side but crossed, one on top of the other, I discovered the beauty of a foreign language. From then on, whenever I had the opportunity I camped up in this little, tiny space, the length of which – or lack of it thereof – favoured me as I was rather short in those days, luckily.

Corners come in all shapes and forms. There are some that justify their selection with magnificent views outside. Others boast a practical layout. And then there are those that have a deeper meaning beyond their bricks-and-mortar composition. An emotional connection to a previous episode in the story of our lives.

Also, they are not just a home phenomenon, corners. No. Perhaps, your favourite nook is in your local café, a bench in a nearby park or the seat you normally occupy on the train on your way to work. Above all, this space allows you to become your own individual amidst a sea of strange faces.

You can see now why I dare to challenge one of my favourite poets and one of Latin America’s finest. But, Benedetti, I like my corner(s), I like the fact that I have reserved this quiet space of the world. If that means that I play safe, so be it. Personally, I do not think I do. Some of my more thought-provoking posts have been written whilst sitting on one of my favourite (two) corners.



© 2016

Next Post: “Urban Diary”, to be published on Wednesday 6th July at 6pm (GMT)

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