Showing posts with label Martina Topley-Bird. Show all posts
Showing posts with label Martina Topley-Bird. Show all posts

Sunday, 8 August 2010

Greatest Hits - Track 8

'Autumn Songs' was a short-lived section I introduced in 2007. It ran from September until November, halted by the arrival of winter. I had fun writing about one of my two favourite seasons (the other one is spring) and as the temperature feels already slightly nippy in the mornings, I thought it appropriate to include this post in my 'Greatest Hits' volume 1. Yes, I'm still on holidays.


With autumn now on the verge of becoming winter and my synaesthesia producing only dark reds and yellows whenever I hear the soft rustle of a well-played guitar, I open this session with one of the most under-rated singers this country has ever produced. When I purchased her debut album my DiscMan would not let it go away for a single minute. Martina Topley-Bird's voice can be soulful, rocky and playful, sometimes the three at once. My favourite song from her record 'Quixotic' is not available on you tube yet (Soul Food), but I found this little gem that attests to her wonderful voice.



And so, we plough on. And so we arrive at the majestic erstwhile The Police frontman, Sting (reunions count, but only as money-makers) and a dilemma as to which song to choose from his prolific music career. You see, I'm a Sting fan. I've seen 'Bring on the Night' approximately twenty times and I can quote some of the dialogues by heart. But nothing prepared me for the second track on his album 'Brand New Day'. The inclusion of the Algerian raï isinger Cheb Mami was a wise move for the northeastern bassist and the result, 'Desert Rose' helped internationalise raï sounds, plus catapulted the song to the top of the charts. And I just love it. Really. I do.



Lastly, this man's voice drips with pastel shades, yellow chromes and nostalgie. Ignacio Villa (Bola de Nieve), our very own show-man, was born in the legendary town of Guanabacoa, Havana, a hotbed of Afro-Cuban culture and one of the first few places where the Carabalí culture from southeastern Nigeria settled down and created its first cabildos, thus becoming the Abakuás, the only surviving secret African society in the Americas. Bola's voice was seductive, mirthful and full of joie de vivre, even when singing sad songs like the one below. The video is a collection of photos of him rather than a performance, but still that voice is incomparable.



As autumn is drawing to a close, I've been thinking about doing a similar series of winter songs. Just do not expect Christmas tunes. Thanks for your feedback, it's always appreciated.

© 2007

Next Post: Greatest Hits - Track 9 to be posted on Sunday 15th August at 10am (GMT)

Thursday, 18 December 2008

Food, Music, Food, Music, Food, Music, Food, Music, Ad Infinitum...

I blame Salva.

There I was, minding my own business a couple of Sundays ago when I decided to check the feedback on my last Song for an Autumn Sunday Morning. I was cooking at the same time and helping my children with their homework (yes, I can multitask, thanks for asking). Salva left me a link to a clip that used music by Martina Topley-Bird and suddenly my Sunday was turned upside down.

But in a positive way, mind you, so thanks, Salva. I was cooking lentil dahl, so that recipe became the theme for my regular Food, Music, Food, Music, Food, Music, Food, Music, Ad Infinitum... and as for the music, the minute Salva mentioned Topley-Bird, my mouth began to salivate.

I love Martina's music. I bought her debut album Quixotic a few years ago and it's never been out of my CD player. My favourite track so far is 'Soul Food' (this is the original album version). So, guys, fasten your seatbelts, this is going to be a bumpy and funky ride. And yes, this is another vegetarian dish, sorry my carnivorous brethren and sisters, dahl is one of the regular food staples chez moi.

Lentil Dahl

Ingredients

200g red lentils
1 large onion
2 cloves of garlic
150g runner beans
1 tin tomaotes (or 2 large, fresh tomatoes)
5 tablespoons vegetable oil
1 teaspoon cumin seeds
1 teaspoon coriander seeds
1/4 teaspoon
About 1 litre water

Peel the onion. Chop it in half and then slice finely. Peel and crush the garlic. Crush the cardonom pods to remove the seeds. Discard the outer pods. Heat a thick bottomed pan on the hob until it is hot. Add the spices and cook for 2 minutes, stirring regularly. Put the spices in a pestle & mortar and crush. Heat the oil in the same pan as you heated the spices in. Add the onion and garlic and saute, covered, for 5 minutes. Add the spices and stir well. Cook for another 2 minutes. Add the lentils and about 3/4 of the water. Mix well. Cover and simmer gently for 1/2 hour. Check and stir regularly. If it looks like it's drying out, add a little more water.
Prepare the runner beans by trimming the ends and cutting off any stringy bits on the sides. Then slice diagonally into fine strips, about 5mm wide. Drain the tomatoes (if from a tin) and chop roughly. Once the lentils are softened, add the runner beans and tomatoes to the pan. Stir well and cook for a further 5 minutes.If it looks like it's drying out, add a little more water. Serve with rice or nice, crusty Tiger bread.

Now, a dish with so much heart and soul in it, deserves an equally ardent and spicy playlist. We kick off with Fatboy Slim's 'Praise You', purely because it's got one of the silliest and funniest dance routines I've ever seen in my life. This is followed by one of the most eccentric and charismatic Cuban singers ever to roam this planet, La Lupe, and her take on this old classic 'I Did it My Way'. She was too hot to handle for the Cuban government post-1959, which banned her music from commercial radio until the early 90s. My beautiful island is still present in the next track with Mongo Santamaria on congas covering 'Afro Blue'. Nick Cave's powerful lyrics give our bodies a much needed respite, but not our minds, though; the prisoner's plight is still ringing in my ears by the end of his masterpiece 'Mercy Seat'. And who can forget one of the better intros ever? That'll be The Temptations 'Papa Was a Rollin' Stone '. St Germain's one of my favourite musical outifts for when I am cooking, especially soups, dahls or any kind of broth. They fill me up completely and 'So Flute' is one of my favourite tunes by them. I love the video, too. Martina Topley-Bird follows quickly after and despite the sound not being top quality in this clip, I seriously recommend it, 'Soul Food' is contagious and catchy. We finish as we began, with Fatboy Slim and who has he brought with him this time? None other than Mr Christopher Walken, he of that famous monologue in 'Pulp Fiction'. Oh, yes, you know, the one about the watch. Mr Walken happens to be also one of my favourite actors (when he's in the mood to perform, mind) and his cameo on this video is a pleasure to watch. 'Weapon of Choice', ladies and gentlemen.

By the way, this is the music I was cooking dahl to. If you choose to eat it whilst listening to it and you end up holding your sides and in stitches, don't blame me, blame Salva. Thanks.



Copyright 20008

Wednesday, 7 November 2007

Autumn Songs (Tempo Commodo)


With autumn now on the verge of becoming winter and my synaesthesia producing only dark reds and yellows whenever I hear the soft rustle of a well-played guitar, I open this session with one of the most under-rated singers this country has ever produced. When I purchased her debut album my DiscMan would not let it go away for a single minute. Martina Topley-Bird's voice can be soulful, rocky and playful, sometimes the three at once. My favourite song from her record 'Quixotic' is not available on you tube yet (Soul Food), but I found this little gem that attests to her wonderful voice.



And so, we plough on. And so we arrive at the majestic erstwhile The Police frontman, Sting (reunions count, but only as money-makers) and a dilemma as to which song to choose from his prolific music career. You see, I'm a Sting fan. I've seen 'Bring on the Night' approximately twenty times and I can quote some of the dialogues by heart. But nothing prepared me for the second track on his album 'Brand New Day'. The inclusion of the Algerian raï isinger Cheb Mami was a wise move for the northeastern bassist and the result, 'Desert Rose' helped internationalise raï sounds, plus catapulted the song to the top of the charts. And I just love it. Really. I do.



Lastly, this man's voice drips with pastel shades, yellow chromes and nostalgie. Ignacio Villa (Bola de Nieve), our very own show-man, was born in the legendary town of Guanabacoa, Havana, a hotbed of Afro-Cuban culture and one of the first few places where the Carabalí culture from southeastern Nigeria settled down and created its first cabildos, thus becoming the Abakuás, the only surviving secret African society in the Americas. Bola's voice was seductive, mirthful and full of joie de vivre, even when singing sad songs like the one below. The video is a collection of photos of him rather than a performance, but still that voice is incomparable.



As autumn is drawing to a close, I've been thinking about doing a similar series of winter songs. Just do not expect Christmas tunes. Thanks for your feedback, it's always appreciated.

© 2007

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