Sunday Mornings: Coffee, Reflections and Music

And in the end what are we all,
A brick from the old Berlin wall?
Somebody’s question or someone’s answer
A puzzle spinning like a dancer?

What are we all? I asked before,
Creatures we are, under the floor,
The maligned rat, the tiny mouse,
In darkness roaming through the house.

We are the dust that in the wind
Became the song that Kansas dreamed
We are the chords of the guitar
Carrying our life’s score very far

What in the end are we, us, all?
The misheard word, the miskicked ball
Sometimes shaming us for years to come
Till we learn that of the bread we’re but one crumb

Is this us in the mirror, us all?
Is this our reflection, no fear to fall?
Or is it the mask we don for the show
Shielding our selves, our ids, our souls

We can be lovers, good friends or traitors
Of our exhibit the sole curators
Of our performance we’re the one actor
One piece, one act. The theme? Fear factor

What are we all, in this one life?
We’re gain and loss, accord and strife
We are the hauling, dragging and pulling
We’re also the thrusting, shoving and pushing

And in the end, what are we all?
Same question, yes, but, please, don’t call
Phone down, give me no answer
I am still learning from the dancer.

 

Two things first. It is my birthday today and for only the third or fourth time in my life I have dared to write a poem in English.

To the first one of these two things. Although it is an occasion for me to celebrate – and indeed I am celebrating – this birthday poem was inspired by a recent sad experience. Earlier this year we lost an unbelievable colleague at the school where I work. She was a nursery teacher who had been a member of the staff for many, many years, to the point where some of the current teachers and teaching assistants were taught by this amazing teacher when they themselves were little. I got to know this incredible human being very well, despite the fact that when she died I had been at my primary school for less than a year. Some people make you feel welcome just by looking at you. My colleague was one of those people. She also had a great sense of humour. About a year ago to the day she and I attended a training session near King's Cross station. There was a tube strike that day which affected our journey. I got to the venue about ten minutes before she did. But when she came into the room it felt as if she had just lit it up. Some people have that effect. As our headteacher read the tributes written by the staff, the first line of today’s poem started sounding in my head: what are we all? In the end, what are we? That line took my head as its abode and didn’t leave me alone from that day until recently. I knew I had to do something but I didn’t know what or how.

The second thing today. I knew I had a poem in me. Not a short story. I knew it had to be a poem because that line ended in “all”. And I could come up with all kinds of rhymes and combinations to develop the theme. The theme of what? I mentioned fear factor in the poem, but it’s more than that. It’s the theme of mortality and the way we see ourselves and our selves. Whether we believe that we have accomplished everything by the time the Grim Reaper pokes its ugly head in, taps us on our shoulder and tells us it's time to go or we think that there’s a lot of work to be done still. And are we humans really that far apart from the “others” (plants, animals, dust, etc.) that we can afford to behave in such a solipsistic way?

No.

We’re connected in a way of which we might not be aware sometimes. This idea of a gigantic network of people, things and animals might have been hijacked by the New Age brigade and its spin-offs but strip the layers that make us who we are and at the core you will find the dust, the - beautiful – contradictions and the tiny mouse.

I couldn’t give two monkeys about the quality of the poem or lack of it thereof. I really don’t. It's not praise I'm after but steam I'm letting off. I don’t care which style (if any) the poem falls under. That’s why I don’t think I could ever belong to a writers’ collective or rise up to the challenge of writing a sonnet, or haiku, or suchlike on commission. I just couldn’t do it. I feel jealous of people who can, though. I like making up and breaking my own rules. And because I “discovered” the English language on my own at a young age, I have always believed that English and I have a special relationship. Like two brothers or a brother and a sister, or two good mates who fall out every now and then (all those “likes” and “sos”, "sortas" and "kindas" and rising intonation at the end of statements?) but who always find their way back into the friendship.

That still does not deviate from the fact that writing in a foreign language is very hard. Terribly hard. Believe me; I do it day in, day out, week in, week out. I do it as a hobby and professionally. At the same time there’s a pleasure to be had, mixing, stirring, decanting and tasting sentences, words and connectors. I wouldn’t be able to write this blog if I didn’t derive pleasure from doing it.

So, there you have it. A poem inspired by the life and work of an extraordinary person who is sadly no longer amongst us, posted on the day I celebrate adding another candle to this cake I call life and which you might call something else. I would like to raise a glass of apple juice (I’m teetotal, remember) to you all and ask you to keep posing the same question to others and to yourselves: and in the end, what are we all?

© 2014

Next Post: “Sunday Mornings: Coffee, Reflections and Music”, to be published on Sunday 23^rd November at 10am (GMT)